Triangle Method
Simplify your workflow. A playful way to explore music-making
We have too many options for creating electronic music. Too many tools, too many workflows, too many tutorials, we lose ourselves.
If you want to explore musical space, it helps to have a simple system, a muscle you can train that will give you a solid basis, ground beneath your feet, so you can have fun trying new things without being overwhelmed.
The triangle method is just 4 steps, that you repeat again and again to generate musical options for yourself. You then combine those options to create compositions. It's easy to grasp, but it's deep enough to last a lifetime.
If you have finished the Foundations of Electronic Music level 1, you know enough to start exploring the Triangle Method. Use any combination of hardware and software you like, the method works for all tools and all genres.
This course has 11 hours of content:
Each video is about 20min long and has a theory section & a practical application of the method.
This is a map of everything (almost) that is possible in electronic music.
Every dot in this map has a corresponding video in the course.
Choose a green, a blue and a pink dot, apply the triangle method, and explore musical space for yourself. Once you want more inspiration, come back and choose 3 more dots. Repeat... forever?
a mini-course on the artistic fundamentals
Our philosophy
In the Underdog project, we aim to create an experience like you would have at a college for music — a comprehensive, grounded system for learning where you get the information you need when you are ready for it.
Underdog Electronic Music School exists on social media of course, and does short videos to satisfy the short-term dopamine fix we all crave, but at some point you want to learn 'properly', systematically, in a course with a real objective, and come out transformed at the end.
That's the goal of the Underdog Foundations (level 1&2) and the Triangle Method. Music education with an electronic point of view.
If Oscar was teaching a curriculum at a college, these would be the core elements. Now you can join in from anywhere in the world through the magic of the internet.
If you like the structure of Foudations 1, and want to keep learning in a linear way, step by step, Foundations Level 2 is for you. The steps are smaller & the exercises more defined.
If you want the freedom that comes with having a workflow, then do the Triangle Method. This freedom can feel liberating, or too loose, depending on your sensibility.
The Method is a universal concept that will work with any DAW and any tools. I specifically use Ableton Live 12, and some external synthesizers, to illustrate most of the concepts.
There is a dedicated Discord channel for the course, where you can ask questions and get answers!
This course is very loosely structured: it's up to you to choose a path through it, experiment until you need more inspiration, and then continue. As such, the course could take the rest of your life :) There is 11 hours of content back-to-back, but that doesn't tell the whole story...
Absolutely. Follow it, then take a break, then follow some more. Then forget about it, rediscover it, and take it several times. You do you <3.
This is a pre-recorded video course structured for you to watch at your own tempo. The videos stay available to you to watch and re-watch. To share your learning journey with others on the same path, come to the Underdog Discord channel!
How to use this course
An example of the triangle method
Setting up your workspace
1.1 x0x style sequencing
1.2 303 style sequencing
1.3 Polymeters
1.4 Euclidian rhythms
1.5 Polyrhythms
1.6 Chord progressions & complex arpeggiators
1.7 Manually triggered
1.8 Manually muting/unmuting
1.9 Modulating the sequencer
2.0 Shaping timbres & dynamics
2.1 Hardware vs Software
Synth (monophonic)
Synth (polyphonic)
Synth (FM)
Synth (wavetable)
Synth (physical modelling)
Synth (modular)
Sampler (classic)
Sampler (multisampler)
Sampler (chord planing)
Sampler (warp artefacts)
Sampler (field recording)
Acoustic (using microphones)
Acoustic (vocal timbres)
Acoustic (instruments)
Delay (tap delay)
Delay (dub delay)
Delay (granular delay)
Reverb (for space)
Reverb (for sound design)
Reverb (smear)
Timbre (filters)
Timbre (ring modulation)
Timbre (distortion and amps)
Timbre (phasers et al.) fffix
Pitch (pitch vs frequency)
Pitch (pitch vs formant)
Pitch (vocoders and resonators)
Modulate
Perform
Resample
Harmony for three voices
Arrangement
Mixing basics
1. Balance
2. Rhythm
3. Movement
4. Proportion
5. Emphasis
6. Contrast
7. Patterns and repetition
8. Unity and variety
Goodbye